Showing posts with label john rocha. Show all posts
Showing posts with label john rocha. Show all posts

7.10.10

i kneel at the sequin shrine of alexander



A few weeks ago, I was sitting quietly in my favourite spot: on the floor, in the aisle between front rows, (with permission, of course), waiting for a catwalk show to begin. Who should sit down next to me, in her front row seat, but Hilary Alexander. I'd seen her before, even approached her shyly (she was in a rush that time) and as the lights went up and the show began, I was really afraid I'd piss her off with my snapping. I was trying to snap QUIETLY. I was as fascinated by her as the show: Hilary, following the show with her keen mind, while taking notes, sketching away..



At one point I even tried to snap her sketchbook - just because what was going on there was so interesting, the way she was capturing the essence of the show - and she turned the page. Call me paranoid, but I'm pretty sure it was the equivalent of a star putting their hand to face when they don't want to be papp'd. I felt like this irritating little gnat, buzzing around with my click click click and just annoying her. I was actually worried I might smell bad, kicking myself I hadn't dosed myself with more Jo Malone French Lime Blossom.

So after the show I spoke to her, like Eve in All About. Babbled something about how I looked forward to reading her review of the show. And to my surprise, she softened. Took my hand, for a brief moment: that very same hand. Gave it a little squeeze, and said something kind, like 'good luck' and then, she was gone.

I'm not putting myself down, or belittling what I do as a blogger. The process of posting, combining photography and writing.. it's fun, and it's hard work. But it's a different skill set. And what I do is nowhere near, and never will be, what Hilary Alexander has built and achieved and continues to achieve. I don't possess the experience and knowledge of the fashion industry, and I never will. But that day, I saw firsthand how tirelessly and professionally this woman works. And while I can't speak with Hilary Alexander's wisdom, I can still say how I feel.



I did read her piece. And although I wish I could say this was from the Chanel show - I wish this is the kind of direction Chanel was headed. But this is JOHN ROCHA, a private man, who, as Hilary's article explains, was influenced this season by his love of salmon fishing. (Note to self: must tell Mr. Dot).



I loved that show - these are just a few examples - and I have such admiration for John Rocha, who has quietly created out of the spotlight's glare. Like so many talented designers around the world, I feel he doesn't get the attention he deserves. On the other hand, he probably doesn't get the drama, and the level of criticism, that more high profile houses would get. He just quietly, modestly, creates. Which is in keeping with a man who loves to fish. There is something admirable, noble, in humility. In not trying to stand on the tallest pedestal. Actually, wasn't it also a fisherman who first said the meek shall inherit the earth?

If you haven't already seen it, here is her piece on Sarah Burton's first show in Paris, as the new head of Alexander McQueen. Hilary, it was an honour to kneel at the sequin hem of your garments, if only for a few moments in time.

9.2.10

arts & science



Hitomi works at Dover Street Market, lucky girl. Actually, lucky me: she's on the ground floor, so I didn't have far to drag her outside for a little photo shoot. I am so drawn to white now: all shades, from peachy nudes and ballerina pinks, to the white of fresh Devon cream, silvery greys, 'griege', through to the pale turquoise of oxodized copper.. just loving the whole range.



Her dress is from a japanese design company called 'arts & science', but I can't find them anywhere (Dover Street Market carried them last year, but not now). Her cardigan is vintage. It looks like she's wearing striped leggings, and black trainers, and I can't figure out what her necklace is, but one thing's for sure: her style is all her own.

Just as I started to shoot, a gust of wind appeared out of nowhere, and lifted her skirt to form an A shape. A lucky coincidence.



A moment later, I saw this through the entrance of John Rocha, next door. Cool, huh?

22.9.09

fur real: polite english girls, with a twist




Laura, before the John Rocha show, in another must-have item this season: a fur gilet (& a bowler, what a lovely combination, worn with red lipstick in a smile!). I love that her gilet is by John Rocha and that she wore it for his show. That seems to me the essence of good manners, to compliment a designer by wearing his or her clothes. And English girls do have the manners thing down to a tea! : )

. . . . . . .

UPDATE: I stand corrected. An Anonymous Source has informed me that Laura is actually Irish. And yet, still, most polite!

Dee of Dream Sequins wrote: 'I do think it's great manners to wear something by the designer to his/her show. In some cases, it's not possible to afford something by the designer (in my case) or it's just hard to plan a day with about 5 shows with one hodge podge outfit in mind... :)' which is a really interesting concept: I wonder if anyone I've seen & shot has actually done that? Pieced together a look using the various designers they were seeing that day. Alternatively, finding cheaper looks that channel the designer's work. Homages. I did notice that on the day of Christopher Kane's show, a few girls were sporting his Topshop crocodile dress. Here's another lovely gilet, as I work my way through the endless sea of shots: (I love both their looks, actually).